Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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RUISDAEL, Jacob Isaackszon van
View of Amsterdam dh

ID: 08993

RUISDAEL, Jacob Isaackszon van View of Amsterdam  dh
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RUISDAEL, Jacob Isaackszon van View of Amsterdam  dh


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RUISDAEL, Jacob Isaackszon van

Dutch Baroque Era Painter, ca.1628-1682  Related Paintings of RUISDAEL, Jacob Isaackszon van :. | The Dam Square in Amsterdam | House in a Grove | Landscape with a House in the Grove at | The Great Oak af | View of Amsterdam dh |
Related Artists:
Edward lamson Henry
A popular and prolific genre artists at the end of the 19th century American , 181-1919 American painter. He received his first art instruction in New York from Walter M. Oddie (1808-65), followed by two years at the Pennsylvania Academy of the Fine Arts, Philadelphia (1858-60). After this he left for a two-year stay abroad, studying with Paul Weber (1823-1916), Charles Gleyre and Courbet. In 1864 he served as a captain's clerk on a boat taking supplies to the Union army. Two notable pictures that emerged from this experience were City Point, Virginia, Headquarters of General Grant (1865-72; Andover, MA, Phillips Acad., Addison Gal. A.) and Westover Mansion (1869; Washington, DC, Corcoran Gal. A.). He soon won recognition and was elected to the National Academy by 1869. Many of his paintings were sold before exhibition,
Paolo Antonio Barbieri
(1603-1649) was an Italian painter who was the brother of Guercino. He was born at Cento, a village near Bologna. The subjects of his pictures are flowers, fruit, and game, but he particularly excelled in painting fish
FABRITIUS, Carel
Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure






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